A Knight’s Tale

If there was a film that blends modern music and medieval times, this is the one. A tale about a peasant-born who wishes to change his stars, and become a knight. Together with his raggedy crew of well wishers, he faces the ultimate test of medieval gallantry through tournament jousting, and tries to discover if he has the mettle to become a legend. Directed by Brian Helgeland, who also did Finest Kind (2023), Legend (2015) & 42 (2013).

Released in 2001. This zero to knight success story is inspiring and an instant classic. I’ve watched it when it came out, and every 2-3 years since then I still view it, and it holds up. Even watching it now as my first film for 2025, still great and the humor still hits. The music is, what I think, makes it relevant until today. Great dialogue and a great cast as well. There was nothing here that I think could be done any better.

Our raggedy crew of misfits consists of:

• William Thatcher, played by none other than Heath Ledger. I have no idea why he isn’t up there with Matt Damon and the others. His performance on each and every one of his films are top notch and doesn’t fail to impress me. His chemistry towards the people he directly acts with is authentic, thus it pulls you in and lets you fell what he feels. Hence his award-winning performance in The Dark Knight. The way he moves and speaks here was fluid and funny if he needed to be.
• Geoffrey Chaucer, played by Paul Bettany, and as most young ones know him as Vision from the Marvel films. This is the introduction of Bettany to my life. Every time I see him, the scene where he walks along the dirt road while butt naked, that scene never fails to replay on my head. “Vision? Ohh, the guy that trudges.” His chemistry with the gang, specially with Alan Tudyk was like brothers. Even if it was only for work, it was believable, and I fell for it. His role and performance in the film greatly helped to solidify it as an instant classic. I don’t know why but whenever I see Paul Bettany, I always think of Tilda Swinton, it’s like her male counterpart.
• Wat and Roland, the two loyal friends of Thatcher since the start of the film. Wat, played by Alan Tudyk, has red hair and really reflects his personality in-film as the one who explodes with anger and doesn’t think things through when he’s mad. Roland, played by Mark Addy, was the calm and composed guy, the one who mostly does the budgeting and the planning, sort of the one that acts as the trios mother. The three of them combined, then you’d have one hell of a film.
• And then the last and impromptu addition of the female blacksmith, Kate, played Laura Fraser. At first I thought it was a bad decision to add a female to the team, but as the story progresses, her input and contribution were huge, aside from her impeccable blacksmithing skills. Her performance was great as well, he fitted in the group, even though she was a blacksmith, she still acts daintily and wanted to be treated as a Lady. Regardless of her being surrounded by dirty, smelly men.
• Alas, our supposed Damsel in distress, Jocelyn, played by Shannyn Sossamon. She’s the Kryptonite to our beloved knight. The only weakness yet the very source of his drive. He pursues this woman and pushed through obstacles to prove himself worthy. Sossamon played as the Lady who is hard to get and doesn’t easily get swayed by suitors. And she plays it so well. Her role here was perfect. I wouldn’t want any other actress to take her place. Her looks and how she speaks were enchanting. I could listen to her talk all day.
• Last, but certainly not the least is Count Adhemar. He reminded me of Joaquin Phoenix’s character in Gladiator (2000), Commodus. The high stature-looking down on peasants kind of demeanor. He played his character very well, appearing in a sort of all-black, much like a dark knight, so much so that it was very satisfying how he met his first defeat. A stellar performance from Rufus Sewell.

Heath Ledger was the one who suggested the change in music for the dance sequence. The first choice was “Get Down Tonight by KC and the Sunshine Band”, but Ledger was very persistent. Helgeland recalls Ledger approaching him with a huge grin on his face, you could tell he’s going to sell you something and he’s sure you’re going to say yes to it. “He would assume this kind of boyishness to him; he’d become nine-years-old, like out of a Dickens story, like the Artful Dodger.” Ledger says, “It’s the same tempo. It’s going to work.”

During the 20th anniversary of A Knight’s Tale, a sequel was supposed to be in the works but was shot down by Netflix algorithm. The director stated that the story was supposed to be a pirate film. Where Count Adhemar kidnaps Jocelyn and take her to Constantinople, they then end up as galley slaves after their boat ends up being captured by pirates.
Another sequel pitch was made by Paul Bettany and Alan Tudyk, by then Ledger sadly passed away, but the actor’s pitch found a way to continue the story without Ledger. Wherein Thatcher and Jocelyn has a teenage daughter and wanted to joust but can’t because she’s a woman, she then tracks down a gang that agrees to teach her how to joust. The idea was pitched to Sony. Sony was interested in releasing it as a Netflix movie. Netflix then tested the sequel idea through their algorithm and it indicated that it would not be successful.

If you’re looking for a medieval film with a modern twist, your search is over. A Knight’s Tale is an instant classic when it came out. Featuring the late great Heath Ledger, together with an outstanding cast. This fun-filled, action packed story about romance, knighthood and changing one’s destiny will surely rock your world.